Box 51
Contains 13 Results:
Yale University, Nov 3, 1942-July 28, 1950, May 31, 1966, June 6, 1977, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Young Audiences of Greater Los Angeles, Mar 24, 1966-Dec 17, 1968
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Young Audiences of Greater Los Angeles, Jan 3, 1969-Apr 5, 1974
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Youth Chamber Orchestra, Nov 4, 1969-Feb 9, 1970
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. Y, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Zemach, Benjamin, Oct 3, 1945-Sept 26, 1946
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Zimbalist, Mary Curtis, May 14, 1949-June 14, 1952
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. Z, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Unaddressed and general letters by William Grant Still and/or Verna Arvey, May 11, 1945-July 20, 1976
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Letters with given name, no surname, many addressed to Still and/or Arvey, 1933-July 19, 1979, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Non-decipherable letters to William Grant Still and/or Verna Arvey, Sept 1, 1932-Sept 18, 1971, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Unsigned letters to William Grant Still and/or Verna Arvey, Nov 13, 1939-May 8, 1974, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Letters concerning William Grant Still and/or Verna Arvey neither written nor received by them, May 27, 1932, Oct 30, 1942-Sept 22, 1975, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.