WILLIAM GRANT STILL

William Grant Still was born on May 11, 1895, in Woodville, Mississippi, to William Grant Still, Sr. and Carrie Lena Fambro. Before he was a year old, Still's father died, and his widowed mother arrived in Little Rock, Arkansas, with "Babe Will" to be with her mother, Anne Fambro. Carrie Still taught English in the Little Rock schools, and she did eventually remarry; Charles B. Shepperson, a railway postal clerk, became Still's stepfather. Still's early years were influenced by his mother's discipline and love of learning, his maternal grandmother's singing of Negro spirituals, and his stepfather's collection of Red Seal phonographs.

After graduating as valedictorian in his high school class, Still enrolled in Wilberforce University in 1911 in the Bachelor of Science degree program. Although his grades were above average, Still spent much of his time playing and directing the band, performing with the Wilberforce string quartet, and perusing Carl Fischer catalogues. Leaving Wilberforce before graduation, William Grant Still received a broad musical education that included arranging for Paul Whiteman and Artie Shaw, performing in the bands of W.C. Handy and the "Shuffle Along" band of Eubie Blake, and working in the Pace and Handy Music Publishing Company, as well as studying composition at Oberlin College, at the New England Conservatory with George Whitefield Chadwick, and with Edgar Varese.

Known as the "Dean of Afro-American Composers" during the latter part of his career, Still led a full and productive life as arranger, conductor, lecturer, writer, and composer. It is as composer, however, that he is remembered best. Still's works include nine operas, five symphonies, four ballets, and numerous compositions for voice, keyboard, chamber ensembles, and even two pieces for accordion.

During the 1930s and 1940s Still's compositions were performed by major orchestras, including the New York Philharmonic, the Chicago Symphony, the Boston Symphony, the Los Angeles Philharmonic, the Berlin Philharmonic, the London Symphony, and the Tokyo Philharmonic. His Afro-American Symphony was performed in 1931 by the Rochester Philharmonic Orchestra. It was the first symphony by an African-American to be played by a leading orchestra. Other "firsts" for William Grant Still were the following: he was the first African-American to conduct a major orchestra in the United States (Los Angeles Philharmonic in 1936 at the Hollywood Bowl), the first to have a full-length opera performed by a major company (Troubled Island in 1949 by the New York City Opera at City Center), the first to conduct a major orchestra in the Deep South (New Orleans Philharmonic in 1955), and one of the first to write for radio and film.

Among his many honors and awards are a Harmon Award (1927), two Guggenheim fellowships (1934, 1935), two Rosenwald fellowships (1939, 1940), a Freedom Foundation Award (1953), an Honorary Master of Music from Wilberforce University (1936), an Honorary Doctor of Music from Howard University (1941), an Honorary Doctor of Music from Oberlin College (1947), an Honorary Doctor of Letters from Bates College (1954), an Honorary Doctor of Law from the University of Arkansas (1971), an Honorary Doctor of Law from Pepperdine University (1973), and an Honorary Doctor of Law from the University of Southern California (1975). William Grant Still died on December 3, 1978, in Los Angeles.

VERNA ARVEY

Verna Arvey was born in Los Angeles, California, on February 16, 1910. Her parents, both Russian Jewish emigrants, were David Arvey and Bessie Tark. Arvey graduated from Manual Arts High School where she studied journalism and music. During the 1920s, she gave lecture-recitals, accompanied dancers, and was involved in some avant-garde multi-media "happenings." She performed in both North and South America, and her programs always included the compositions of Latin American composers as well as noted black composers, such as R. Nathaniel Dett, Harry Burleigh, Samuel Coleridge-Taylor, and William Grant Still.

Verna Arvey's relationship with Still began in 1934 when he arrived in Los Angeles under the auspices of a Guggenheim award. Arvey was a pianist and journalist at the time. Their professional collaboration grew to personal devotion and they married in 1939. Among her many musical collaborations with Still are A Bayou Legend, Costaso, Minette Fontaine, Song For The Lonely, We Sang Our Songs, The Pillar, Mota, and revisions for Troubled Island, an opera originally written by Langston Hughes and Still. Arvey is also the author of Choreographic Music (E.P. Dutton, 1941) and In One Lifetime (University of Arkansas Press, 1984), which is her personal story of Still. Verna Arvey died in Los Angeles in 1987.