Box 25
Contains 16 Results:
Indiana University, Sept 23, 1955
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Indianapolis Symphony Orchestra, Jan 11, 1938-Sept 10, 1965, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Ingebretsen, James, Mar 11, 1953
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Inspiration Point Fine Arts Colony, Mar 23, 1972, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Institut National Belge De Radio Diffusion, July 17, 1950-Nov 15, 1967, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Instituto Interamericano de Musicologia, July 3, 1948
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
International Music Council, Feb 21, 1967-May 31, 1967
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Internaitonal Musician, Sept 6, 1945, Jan 31, 1963-July 24, 1965
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
International Symphony Orchestra, Nov 10, 1954
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Irish, Florence (Mrs. Leiland Artherton), Nov 1, 1944-Mar 1971, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Irwin Parnes, Independent Concerts and Artists, Aug 11, 1949, May 21, 1952
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Isenberg, Martha and Richard, July 28, 1970-July 25, 1972, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Izumida, Teru, Aug 15, [1940]-Dec 18, 1954
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Izumida, Teru, Jan 24, 1955-Dec 16, 1957
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Izumida, Teru, Jan 23, 1958-May 23, 1963, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. I, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.