Box 9
Contains 20 Results:
The Chicago Symphony Orchestra, June 8, 1944-May 29, 1966
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Chicago Urban League, Jan 9, 1945-Oct 10, 1945
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Childress, Gladys, Aug 2, 1944-Dec 1946, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Christ-Janer, Albert, July 22, 1955-Apr 18, 1965
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Christmann, Gladys and Paul, May 16, 1949-Mar 8, 1950
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Church of the Future, Mar 9, 1971
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Cincinnati Symphony Orchestra, Apr 6, 1934-June 2, 1966, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Citizens Committee for Music Education in the Schools, Nov 18, 1964-Apr 19, 1965, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Citrus College, Apr 24, 1967-Feb 27, 1968
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The City Center of Music and Drama, June 13, 1945-Feb 27, 1948
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The City Center of Music and Drama, Jan 8, 1949-Aug 30, 1968, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The City Loan and Savings Company, Lima, Ohio, Sept 4, 1952-Nov 5, 1952
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
City of Los Angeles and Music Advisory Committee, May 16, 1952-1966
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
City of Los Angeles and Music Advisory Committee, Feb 15, 1967-June 16, 1981
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Civic Light Opera, Los Angeles Association, Sept 2, 1955
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Claremont Colleges, Apr-May 1970-Oct 29, 1970
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Clarence Williams Music Publishing Company, Mar 16, 1937-June 3, 1942
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Clark, Edgar Rogie, July 20, 1940-Sept 20, 1944
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Clemson University, Apr 29, 1970-Dec 20, 1977
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Cleveland Orchestra, Dec 9, 1935-Feb 3, 1976
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.