Box 4
Contains 23 Results:
Anderson, Marian, May 7, 1937
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Ann Watkins, Inc., Aug 17, 1942-July 18, 1945
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arkansas Gazette, May 7, 1952
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arkansas Historical Association, Jan 10, 1966-Sept 11, 1967
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arkansas State Symphony Orchestra, June 12, 1948
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arkansas Television Educational Commission, Mar 24, 1972-Oct 21, 1974
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Armstrong, Valvatta, Feb 21, 1955-Dec 25, 1976, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Art and Artists of Today, Feb 10, 1937-June 1, 1937
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arvey Family, July 2, 1937-Dec 23, 1975
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Arvey Family, Jan 9, 1976-July 22, 1979, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Ascot Avenue School, Los Angeles, Apr 30, 1964
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Associated Negro Press, Oct 15, 1941-Aug 13, 1945
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Associated Press, June 13, 1967-Apr 2, 1968
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Atlanta Symphony Orchestra, June 14, 1949-June 24, 1949
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Atlanta University, May 20, 1941-Dec 9, 1971
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Atlantic Monthly Press, Dec 8, 1934-Mar 28, 1947
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Augusta College and Augusta Symphony Orchestra, Apr 26, 1972-Apr 6, 1975
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The Australian Musical News, Sept 1, 1948-Apr 27, 1961
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. A-Ag, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. Af-Al, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. Am., n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. An-Ar, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
Misc. As-Aw, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.