Box 3
Contains 33 Results:
American Guild of Authors and Composers, Dec 10, 1958-Apr 11, 1968
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The American Legion, June 22, 1951-Oct 26, 1953
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
American Music Center, June 21, 1943-Nov 1, 1968, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
American Music Edition, Fall 1956-Jun 30, 1966
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
American Society of African Culture, May 23, 1960-June 26, 1960, n.d.
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
American Symphony Orchestra League, Oct 22, 1952-July 6, 1955
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
American Symphony Orchestra League, July 30, 1956-Mar 7, 1962
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.
The American Weekly, Oct 17, 1946-Oct 2, 1957
This series includes the personal and professional correspondence (1925-1985) of William Grant Still and Verna Arvey. The correspondence is organized according to correspondents at the file folder level. The folders are then arranged in alphabetical order. Infrequently, Verna Arvey used the pseudonym, Maryon Smith, William Grant Still used Willy Grant, and Still and Arvey together used Noir sur Blanc.